Puck ushers in a brand new period for the NHL because the league strikes to ESPN and Turner Sports activities this season underneath a multi-year broadcast rights deal.
For Turner Sports activities, this represents a novel alternative to convey TNT’s signature model and manufacturing values to a league that has not beforehand been a broadcast associate.
The primary set of its sort for “NHL on TNT” protection in Studio F at Turner Studios in Atlanta, with the “MLB on TBS” set earlier than transferring to Studio D.
“We wished to do one thing actually phenomenal and actually make a splash with our broadcast,” stated Steve Fiorello, VP, Coordinating Director, Turner Sports activities. “We wished one thing that embodies the NHL but in addition had a Turner-like expertise.”
To create this distinctive expertise, the set design channels the look of a contemporary stadium with larger-than-life efficiency know-how and streaks of sunshine mixed with components of hockey, corresponding to snow, sweat and steam. It is usually linked to the bigger branding theme of TNT’s design system, often known as Black Ice.
Working with Jack Morton Worldwide, the set additionally has some methods that permit it to evolve with TNT’s protection.
“The set has taken on a lifetime of its personal and might develop and develop because the vitality of the season unfolds,” stated group design director, André Duret, SVP.
Projection mapping know-how, typically seen at occasions and theatre, has been built-in contained in the studio – together with a wide range of lighting cues from The Lighting Design Group’s Neil Gallen – to permit the set to shortly change type .
The system, which has not been beforehand seen on a sports activities set, makes use of eight Barco projectors, with angular lenses mounted in a lightweight grid, which might be mounted on a 360-degree canvas on the set’s partitions and flooring, with rendering from a disguise server. Occurs to make.
Offering projection format and modeling, Joshua Weisberg, President of Navolo Audio-Video, stated, “The studio has roughly 28 million projected pixels to play with and 220,000 lumens of sunshine output in addition to actually efficient pure components to map. “
The inspiration for this distinctive collaboration got here from analysis into the occasion world, the place the revealing of a automotive caught Fiorello’s consideration. The phenomenon mixed show know-how and projection mapping to create a wide range of distinctive results.
Fiorello famous how the automotive firm was capable of remodel a small house by means of projection mapping in order that the automotive gave the impression to be in movement, one thing they hope to seize contained in the studio as effectively.
“One of many distinctive issues about projection mapping is that it is tied to all of the LEDs (show know-how) that we’ve on set,” Fiorello stated. “All of the projection mapping and LEDs discuss to one another. So if the LED wall has an impact, it’ll additionally have an effect on the projection mapping and all of the graphics being projected onto the wall.
On the design aspect, nods to hockey are labored out within the studio house, from refined hockey-style components to the dimensions of the set, which mirrors an ice rink.
Studio F includes over 1,000 sq. toes of LED tiles with two major screens at 1.57 mm pixel pitch. In entrance of considered one of these shows is the principle Anker desk, which makes use of customized LED titles and edge-lit “ice shards” with hockey stick-shaped circles.
The set’s partitions characteristic various shades of grey with a refined reveal so as to add a lightweight impact to the textured micro-patterning.
Two monitoring 86-inch screens supply extra flexibility for bump photographs whereas a 45-degree “crack” options one other LED show for standup.
“We actually really feel and hope that audiences at residence see this set and the expertise … as the brand new residence of the NHL,” Fiorello stated.
“I believe what we did in design and strategy was very collaborative. We actually reached out to all several types of media to search out the distinctive mixture of what we do at Turner and one thing distinctive that represents the NHL.
ESPN, TNT take totally different approaches to selling upcoming NHL season
challenge credit score
turner sports activities
Craig Barry – EVP/Chief Content material Officer
Steve Fiorello — VP, Coordinating Director
Morgan Weinbrecht Thomas – Studio Director
Sarah Phillips – Director, Manufacturing Mgmt
Jonny Barry – Manufacturing Supervisor, Studio
Quentin Johnson – Senior Technical MGR, Reside Occasions
Gabriel Lopez – Director, Bito
Brad Childers – Lead Bit Engineer
Ryan Gilger – BIT Engineer, Greatest Studios
Set Design – Jack Morton Worldwide
André Duret – Manufacturing Designer
Alison Zulo — Co-Manufacturing Designer / Artwork Director
Chris Maroney – Illustration Artwork Director
Raeford Dwyer – Graphic Design Artwork Director
Producing – Turner Scenic and Blackwalnut
Lighting Design – Lighting Design Group (LDG)
AV Integration – GrantAV
Projection System Design – Navolo Audio – Video
Content material Integration) – Meptico