Orkhan Mamadov is an Azerbaijani new media artist deeply immersed in his want to revitalize historical past, society and nationwide identification by a follow that makes AI-art belonging to a brand new era of youth. His follow is strongly research-based, and his putting works entrance and middle the significance of Azerbaijani and Center Jap custom, historical past, and heritage; of each, the tangible and the intangible. The media artist’s artistic work expands outward from a multidimensional focus: one the place he explores the advanced relationships between cultural heritage, society, science and human interplay, and inside which he finds himself the dialog starter of such discourse. Retains as. Mamadov continues to give attention to the intricate and sometimes intriguing patterns discovered throughout the Center East, together with kilim motifs which are conventional to the nations that had been previously a part of the Persian Empire. As an alternative of selecting standard and customary leitmotifs, they’ve grown to create numerous official and unofficial symbols that traditionally represented the variety of cultures of Close to-Jap international locations. Mammadov’s private works are introduced as half of a bigger sequence that discover and spotlight his areas of curiosity, whereas additionally blurring the traces between his many engagements, reminiscent of historical past, humanities, and the social sciences. does.

Muracca – Venice Biennale, 2019, picture Picture: Orkhan Mammadov

The digital artist tells STIR, “I used to be born and raised within the culturally wealthy Ganja metropolis of Azerbaijan till I used to be 18 years outdated. I studied laptop science in Baku from 2008 to 2010, however later determined to pivot my schooling in the direction of visible communication from 2012 to 2014, which I did in Istanbul. After that, I studied Nice Arts and Experimental Media in Prague from 2014 to 2016, after which Innovation Entrepreneurship in Amsterdam from 2020 to 2021. Over time, I’ve collected many influences, however distinguished amongst a lot of my inspirations are Ryoji Ikeda, Olafur Eliasson, James Turrell, Takashi Murakami and Yayoi Kusama. The imaginative and prescient of those artists helped form my life and profession.”

Flying Carpet - Interactive Exhibition - Venice Biennale, 2022, image, Orkhan Mamadov |  revival of aesthetics |  Orkhan Mamadov |  STIRworld
Flying Carpet – Interactive Exhibition – Venice Biennale, 2022, picture Picture: Orkhan Mammadov

Mamadov can also be a artistic director, specializing in the illustration of Jap cultures by revolutionary art-making strategies. He retains his finger on the worldwide pulse of recent media artwork practices, and mentions that he stays fascinated by native youth subcultures all over the world, viewing them as vectors for analyzing historical past’s redemption. He tells STIR that he carefully examines new paradigms of cultural notion inside our day and age: one that’s more and more pushed by technologically superior realities. Particularly, the channels and methods by which cultural and historic codes combine digital actuality into up to date life have turn into a core focus of each his artistic course and private follow. The visible artist says, “My multi-layered work blurs a variety of knickknack and digital artworks, whereas working in interactive methods by the inventive manufacturing of conceptual transferring photos, heavy new media installations and technical forensic functions. “

Carpetdim - Dubai 4, 2022, Image, Orkhan Mamadov |  revival of aesthetics |  Orkhan Mamadov |  STIRworld
Carpetdim – Dubai 4, 2022, picture Picture: Orkhan Mammadov

Artist’s newest artwork exhibition revival of aesthetics The rug creates a brand new visible language that did not exist till now, combining the information portray methods she developed with patterns, threads, colours and symbolism, all of which converse to her cultural heritage. Respecting the time period “sample” within the conventional sense, Mammadov has expanded its that means to serve computing methods that acknowledge regularities in knowledge units. Formally, this knowledge turns into a brand new set of “threads” for a brand new carpet design. He says, “revival of aesthetics Approaches the entropy of digital co-cultures and up to date knowledge with a essential look into the period of world nomads: if heritage is a uncooked knowledge set, can or not it’s compromised by unequal cultural diffusion, explanatory paucity, and the use and misuse of historical past? might. Within the rise of ethnic nationalism?” Mamadov’s exhibition additionally rigorously paperwork historic sources of knickknack, making the artist a type of researcher, and the exhibition, a library of his personal making. He provides, ” Previous and new unite to reshape one another. I’ve tried to open house for dialogue between fragile, quickly disappearing cultural heritage and the proliferation of digital cultures. The objective right here is just not solely to doc carpets Relatively, it’s to breed and protect the huge cultural reminiscence of the weaving custom and retailer it on the NFT blockchain.”

Waves of the Orient, 2022, Image, Orkhan Mamadov |  revival of aesthetics |  Orkhan Mamadov |  STIRworld
orient waves, 2022, picture Picture: Orkhan Mammadov

Nonetheless, one ought to word that Mamadov additionally doesn’t cease within the splendidly advanced realm of Center Jap influences in his digital rugmaking work. Take, for instance, his excerpt from this sequence proven at Miami Artwork Basel in 2021 – the work has an unmistakable high quality to Van Gogh-ian; All rowing swirls that merge into one another. or, contemplate orient waves, It’s nearly as if one is taking a look at a stained glass mosaic that interacts with ocean forces to create an upside-down map of landforms. A few of the artist’s earlier work from 2019 additionally feels just like the one introduced in Miami, and it is this vibrant mixture of affect and approach that makes Mammadov’s oeuvre that’s completely important for lovers of digital artwork to attach with . Nobody has digested the great thing about a chunk too quickly, satisfied that it’s actually probably the most wonderful work he has ever created, that they’re more likely to see one other, much more breath-taking visible tapestry. .

Profile Picture, 2022, Image, Orkhan Mamadov |  Artist's Collection |  Orkhan Mamadov|  STIRworld
artist Orkhan Mamadov Picture: Courtesy of Orkhan Mamadov

It’s fascinating to think about that one thing that originally started with a want to experiment, play with artistic approach, and above all, study from and join with its historical past, has led to such an astonishing sequence of items by Mamadov. The artist’s want to depict and animate cultural historical past has now led him right into a world of irreplaceable tokenism. As talked about above, he shops his works on blockchain know-how, which successfully locations him amongst different expert digital practitioners who’re bringing a lot fame to the artistic picks accessible on the NFT market. At the moment, the artist continues to offer its viewers with a broader perspective on international developments, and a robust cognitive framework for understanding the underlying historical past and inventive motifs of the Center Jap world. Mamadov continues to mix sociological pressures, historic significance, and cutting-edge artistic know-how; Up to date visible anthropology is shifting fluidly between re-documenting and presenting itself as a utopianist creator.

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